Saturday, September 26, 2020

100 Things I Love About Tangled

I thought this was my 100th post. To be fair, in my Blogger drive, it is post #100. However, I have seven drafts, all with varying degrees of completion, that I don't know if I'll ever post. However, I had already written this post for this week with the mindset that it was going to be my 100th post, and I wasn't sure what to write instead. And since I still kind of had this "September is Movie Talk Month" idea, I thought it would be great to end this month with a post on my favorite movie ever made. 

I've already talked about Tangled numerous times in my two separate Favorite Movies lists, from 2017 and this past June, where it topped both lists. I also discussed it in my Part One of my essay on why 2010 was such a fascinating year for movies. So to end this Movie Talk Month and mark what I thought was an impressive milestone for my blog, it would only be fitting to list 100 things I love about Tangled. If I had to guess, I'd say I've seen this movie about fifty times. It's just endlessly rewatchable, and I notice new things to appreciate on every viewing. From funny one-liners to chilling deliveries to beautiful shots, this post is in honor of the little details I love so much about this movie. I guess there will be spoilers, which I just feel the need to mention if anyone reading this hasn't seen Tangled. And if you haven't, DROP WHATEVER YOU ARE DOING AND GO WATCH IT NOW. I'll wait. 



  1. The first line of “This is the story of how I died.”

  2. Rapunzel’s gorgeous, gorgeous hair. 

  3. I’m pretty sure this was the first version of the Rapunzel story where the hair has supernatural powers, which is such a fun twist.

  4. Mandy Moore’s performance as Rapunzel.

  5. Especially her singing. Moore's vocal style is a lot more modern than your standard Disney Princess, which is fitting because she was a Britney Spears-esque teen pop star in the 90s. She's not a Broadway belter like Idina Menzel (Elsa from Frozen) or Jodi Benson (Ariel from The Little Mermaid), and she doesn't need to be. Rapunzel's character is very modern and fresh, so it makes sense that her singing style would reflect this. Plus, Moore's natural tone is just beautiful.

  6. “When Will My Life Begin” is a fantastic opening number with a lot of quirky visuals.

  7. “Guys, I want a castle.”

  8. Pascal’s design.

    Cutie.

  9. Pascal’s personality. How can a creature who doesn’t say a word be so expressive?

  10. The first shot of Rapunzel pulling Gothel up the tower.

  11. How Mother Gothel’s manner shifts from stern to affectionate at the drop of a hat. It’s so subtly unsettling.

  12. How the instrumental for “Mother Knows Best” sounds very lightweight and whimsical, despite it being the film's villain song.

  13. The way Donna Murphy delivers the line “Don’t ever ask to leave this tower again.”

  14. “They just can’t get my nose right!”

  15. Everything about Flynn Rider. My first fictional crush.

  16. How Maximus seems to be more like a bloodhound than a horse.

  17. It taught us that a frying pan can be a more intimidating weapon than any sword or knife.

  18. The montage of Rapunzel trying and failing to shove Flynn in the closet.

  19. The ways Mandy Moore delivers the line “I’ve got a person in my closet!”

  20. The way the music cuts out after Gothel screams “YOU ARE NOT LEAVING THIS TOWER! EVER!”

  21. Whenever Gothel kisses Rapunzel, it’s always on her hair because that’s all she cares about. It's one of the little things I never noticed until I saw somebody point it out on Tumblr.

  22.  “The only thing I want from your hair is to get out of it! LITERALLY!”

  23. Pascal beating his fists.

  24. “A horrible decision, really.”

  25. The legendary smolder!

  26. The fear and excitement of the “When Will My Life Begin” reprise.

  27. The satisfaction Rapunzel feels upon putting her feet in the grass.

  28. How Rapunzel is, as Flynn puts it, “a little at war” with herself upon getting out of the tower.

  29. How Flynn is absolutely no help in Rapunzel’s angst breakdown.

  30. When Rapunzel gets into the tavern and sees the thugs, her first instinct is to hold her frying pan like a gun.

  31. “Overall, it just smells like the color brown.”

  32. Everything about the “I’ve Got A Dream” number.

  33. How Gothel hears singing from a pub and just decides “Yup, Rapunzel is definitely here.”

  34. Vladimir, the biggest thug of all who collects ceramic unicorns.

  35. Pub Thug: “Go. Live your dream.” Flynn: “I will.” Pub Thug: “Your dream stinks. I was talking to her.”

  36. Rapunzel excitedly saying “I know!” after Flynn compliments her, then repeating “I know” more nonchalantly.

  37. “Frankly I’m too scared to ask about the frog.”

  38. Rapunzel: “Who’s that?” Flynn: “Let’s just assume everyone in here doesn’t like me.”

  39. “Oh mama, I have got to get me one of these!”

  40. The fact that Disney put a sword fight between a horse and a man with a frying pan in a movie. Flynn puts it perfectly when he says “You should know this is the strangest thing I’ve ever done!”

  41. The way Zachary Levi delivers that aforementioned line. He really was the perfect person to voice Flynn. 

  42. The slow motion shot of Rapunzel jumping off the rock and swinging from her hair.

  43. The shot of the dam breaking.

  44. The emotion in both Moore and Levi’s voices when they’re trapped in the tunnel.

  45. When Rapunzel's hair glows when they’re trapped underwater.

  46. Flynn’s initial reaction to her hair glowing.

  47. Rapunzel, calmly: “We made it.” Flynn, exasperated: “Her hair glows!”

  48. Pascal’s smirk at Flynn after Rapunzel says “It doesn’t just glow.”

  49. Just how coy and flirtatious Gothel is with the Stabbington Brothers.

  50. The delicacy and serenity of the Healing Incantation.

  51. Everything Pascal does during the Healing Incantation.

    He's so sassy!

  52. The emotion on Rapunzel’s face when she tells Flynn about how she never left the tower.

  53. How Flynn is immediately horrified by the abusive situation Rapunzel is in, being held captive against her will.

  54. How, like many fictional boys I have developed crushes on (*cough cough* Prince Zuko from Avatar: The Last Airbender), Flynn (or rather, Eugene Fitzherbert) appears to be a bad boy but has a tragic backstory. 

  55. The bonding between Rapunzel and Eugene in the campfire scene.

  56. How the “Mother Knows Best” reprise completely shifts tone from the lighthearted-ish original. All the chills, all the time.

  57. Every moment when Rapunzel acts defiantly towards Mother Gothel. 

  58. How the film goes from lighthearted to serious quickly, but it doesn’t feel like whiplash.

  59. How sweet Rapunzel is with Maximus.

  60. The kingdom of Corona (please ignore that unfortunate name, this movie was made a decade before the virus) is gorgeous and bursting with life.

  61. Rapunzel’s flower braid is so beautiful.

  62. The scene where they explore the kingdom really does a great job of showing who Rapunzel is as a person. She's a literal ray of sunshine who brings joy and happiness wherever she goes. She also stands out from the other Disney Princesses because of her love of painting and making art. After Mulan, Rapunzel is easily my favorite Disney heroine.

  63. The blink-and-you'll-miss-it shot of Rapunzel and Eugene mischievously hiding with cupcakes.

  64. How Rapunzel and Flynn end up together in the jig number.

  65. Goddamn everything about “I See The Light.” This is my definite favorite scene in film history.

    If you don't mind, I'm gonna make this picture bigger because it's just so beautiful. 

  66. The sweet little heart-to-heart Rapunzel and Eugene have before the lanterns start.

  67. The utter sorrow on the king and queen’s faces before they release the first lantern.

  68. The aesthetics of the lantern festival.

  69. I just want to emphasize again that “I See The Light” makes me cry. Perfect combination of a gorgeous song and gorgeous visuals.

  70. How Eugene and Rapunzel’s lanterns follow each other.

  71. How you can tell Eugene is overcome with love upon seeing Rapunzel so happy.

  72. How Flynn pushes Rapunzel’s hair out of her face because he doesn’t care about her magic hair and loves her for her. An amazing parallel to #21.

  73. The way Moore and Levi’s voices harmonize in the final chorus, and especially the way she sings “and it’s like the sky is new.”

  74. The shock and heartbreak on Rapunzel’s face when the Stabbington Brothers tell her Eugene betrayed her.

  75. Rapunzel’s realization that she is the lost princess.

  76. The delivery of “You want me to be the bad guy? Fine, I’m the bad guy.”

  77. “Frying pans! Who knew, right?”

  78. The random mime.

  79. How Max comes to save Eugene.

  80. That one little girl’s face upon seeing Maximus jump off the roof.

  81. The heartbreak in Eugene’s voice and Pascal’s eyes upon seeing Rapunzel turn herself over to Gothel.

  82. How Eugene doesn’t want Rapunzel to save him because he’d rather die than have her live a life of abuse.

  83. The way Rapunzel’s haircut is framed and shot.

  84. How absolutely monstrous Gothel becomes when she reverts to her true age.

  85. How ultimately, Pascal commits the murder. Aw, you cute little murderous chameleon, you!

  86. “You were my new dream.” 

  87. “And you were mine.”

  88. Rapunzel and Eugene save each other.

  89. The gorgeous glow when Eugene is saved.

  90. In that scene when he is saved, it’s followed by a musical motif from “I See The Light.” Alan Menken is a genius.

  91. When Eugene awakens, his first words are “Did I ever tell you I had a thing for brunettes?”

  92. The final shot of Rapunzel's tower.

  93. How, despite Rapunzel’s parents not having any dialogue, they still manage to be incredibly expressive.

  94. Rapunzel’s reunion with her parents.

  95. How, during the reunion, they pull Eugene into the hug. He's never had a family...until now.

  96. The epilogue shows what happened to the thugs as well as our heroes.

  97. “The crime disappeared overnight. As did most of the apples.”

  98. “She was a princess worth waiting for.”

  99. How Rapunzel proposes to Eugene instead of it being the other way around.

  100. The final shot of the castle, complete with the Cupid thug.


And you wanna know the amazing thing? There are a bunch of other little details I love that I didn't even get to mention, so here are ten more reasons why I love Tangled!

  1. Rapunzel’s development throughout the movie is incredible. 

  2. So is Eugene’s.

  3. They’re one of my favorite fictional couples in existence because they make each other better.

  4. I love the motif of the sun throughout the film. 

  5. It hits many of the same beats as classic Disney Princess movies, but is still distinctly modern.

  6. This movie is the entire reason why, if I ever have a son, I am naming him Flynn.

  7. Rapunzel is a “girly girl” who wears pink and purple dresses and likes flowers, but she is still a strong female character. 

  8. Mother Gothel is one of my personal favorite Disney villains. Her motivations are genuinely twisted and complex, and she’s a startlingly accurate portrayal of an emotional abuser. A ton of the credit for Gothel’s greatness has to go to her voice actress, two-time Tony winner Donna Murphy, who is absolutely bone-chilling in her performance.

  9. The music was composed by Alan Menken, who also did the score for legendary Disney films like Beauty and the Beast and Aladdin. The score is brilliant as a whole, and I already talked about some of the little moments I love, like how “Mother Knows Best” has such a cheery instrumental.

  10. The animation is phenomenal. It’s the most expensive animated movie in history, and not a dollar of that budget was wasted, especially when it comes to Rapunzel’s hair. And of course, “I See The Light” is just a goddamn masterpiece of animation.


In my head, I've toyed with the idea of giving out 11/10s to my absolute favorite pieces of media. Shows, movies, books, and songs that go beyond a 10/10 and resonate with me more than any other. So it shouldn't be a surprise that Tangled will be the first thing I've ever covered to get an elite 11/10. I will listen to arguments that it isn't perfect, and I will understand if somebody doesn't utterly adore it like I do. But for me, it is always going to have a special place in my heart that very few movies can compare to.

Stellar

Saturday, September 19, 2020

I’m Taking A Break

 You read the title. I think I need a little bit of a break, just for a few weeks. I need to focus on my schoolwork and get into a routine for this school year. More than that, I‘ve been feeling sort of disconnected with my blog and I need to rekindle the love I had for it in the summer. I’m n ot sure exactly when I’ll be back, but it shouldn’t be for too long. Thank you, and have a nice day.

Stellar


Saturday, September 12, 2020

MOVIE TALK: Flashdance

September is MOVIE TALK Month. I don't know what compelled me to decide this, but it's happened. From now on until I decide otherwise, I'm going to talk about a different movie every Saturday in September. The school year is always starting up in September and since I'm getting into the swing of things, I'm going to want to post some easier things. Most MOVIE TALKs are pretty easy to write for me, with the exception of last week's Black Panther post going into some touchy subjects like death and racism, and this summer's "Why 2010 is Such a Fascinating Year for Movies" being a two-parter. (Part one here, part two here. I'm still super proud of those. Read them if you haven't.)

Anyways, I'm a huge fan of 1980s movies. Every John Hughes movie I've seen has been great, with Ferris Bueller's Day Off being one of my personal favorite movies ever. There are a bunch of iconic 80s movies I've heard a lot about but never seen. Heathers, Say Anything, Dirty Dancing, et cetera. One of them, Flashdance, was on TV the other day, so I decided, "hmm, why not?" I decided to watch it, and how was it? 

(Warning: there will be spoilers, if you're at all worried about somebody spoiling goddamn Flashdance to you.)

Flashdanceposter.jpg

Honestly, I was expecting it to be a lot better. It wasn't awful, but it wasn't mindblowingly fantastic either. If I had to sum up this movie in one word, it would be "boring." I can't find the exact quote, but Wikipedia says that The New Yorker referred to Flashdance as "Basically, a series of rock videos." I'd say that sums it up better than anything I could ever write.

As this is a dance movie, the music and dance numbers are the best thing about it. The movie really is a bunch of admittedly pretty good dance numbers strung together by a mediocre plot. People mostly remember the movie for the dance routines, not because of the plot. I'd say the most iconic routine is the final "What a Feeling" number, and that one was also my favorite. It felt like a perfect way to cap off the movie, and I love how the film is bookended by the song. My favorite thing about the scene was how the choreography included a bunch of styles of dance Alex studied and practiced, even including some breakdancing. And what the heck, I do really like the song "What a Feeling." It basically has everything I love about cheesy 80s music- a total guilty pleasure.

After "What a Feeling," I would say the most iconic number was the first one, mostly because of the scene with the chair and the water. So many movies, TV shows, and music videos have paid homage to that shot. Hell, I first saw it at the end of an episode of Victorious, where they had the teacher Mr. Sikowitz homage it. I didn't get the reference until I was older. I also liked the scene where Alex's best friend Jeanie skates to the song "Gloria" by Laura Branigan, mostly because that song reminds me of the time I went to the Gateway Arch last year. It was right after the St. Louis Blues won the Stanley Cup and there was a celebration rally happening at the Arch the exact day I was there. Since "Gloria" was an anthem for the Blues that year for reasons I'm not quite sure of, the song was played on a loop the entire time I was there.

Other than the dance numbers, the best thing about the movie is Jennifer Beals’ role as Alex Owens. She's a welder by day, exotic dancer by night, but she dreams of becoming a professional dancer. I did feel like Alex didn't really have much of a distinctive personality, but Beals did a good job with what she was given. It's because of her natural charisma that we want to see Alex succeed and go for her dream. 

Everything else in the film, however, is take it or leave it. I'd say my biggest problem with the movie was the romance, which felt entirely unnecessary. Alex's love interest is her boss, Nick Hurley, and he's quite bland. At times, it felt like the movie focused too much on the love story, which detracted from Alex's main goal of getting into the dance school. I also didn't like how Nick didn't take no for an answer and kept on trying to get Alex to date him, which felt kind of like harassment to me. Their relationship was a cliched break-up-and-get-back-together thing, only none of it was compelling. She thinks he's cheating and throws a rock at his window? Surprise, he's really just with his ex-wife who he sees once a year! That entire conflict literally started and finished in five minutes. 

I especially hated how Nick used his connections with the arts council to get Alex an audition. She was furious with him and refused to go with it, and he was just like, "Stop blaming me because you're too afraid to go for your dream!" No, you dope, she's mad because she wanted to get in based on her own merit! She didn't want you to bribe her way in!

I didn't like most of the subplots, either. One of the bigger subplots was Alex's relationship with an elderly woman named Hanna. This had potential, but it was barely developed. Wikipedia says that Hanna was her mentor and a retired ballerina, but I don't remember any of this being in the movie. Hanna's role mostly just raised questions from me: How did Alex meet Hanna? What has Hanna done for Alex? Why did Hanna take Alex under her wing? About three-quarters of the way into the film, Hanna dies, which could have been used to strengthen Alex's character, but it really wasn't. She cried a little bit, but it didn’t seem to mean much to her.

I also didn't care for the subplot with Jeanie and her boyfriend, Richie. He was a comedian, but not a very funny one. All his jokes were about Polish people, using a derogatory term I didn't know about but probably shouldn't use. I'd maybe find him hilarious if I was in the 80s, but now, it's just dated and bad. But he seemed to think he was good enough to go to LA, so he does that, but doesn't tell Jeanie about it. Meanwhile, while he's away, she starts working at a strip club and dating the club's owner, Johnny. 

And I've only used this word one other time on this blog, but let's be clear: I fucking detested Johnny. He was so corrupt, so shady, just an absolute sleazeball. He harassed numerous women, both verbally and physically, and his bodyguard straight-up breaks Richie's nose. I was probably supposed to hate his guts, and oh boy, did I ever. 

I did think the character of Jeanie was okay, I just wish she had more to do. I genuinely felt bad for her when she fell in the middle of her skating routine. If I were writing the movie, I would get rid of Nick entirely and make it just about Alex and Jeanie. Two best friends with big dreams, trying to take their passions and make it happen! Alex and Jeanie had a cute friendship that I'd like to see more of, although I did get a bad vibe when Alex shamed and berated Jeanie for working at the strip club. Contrary to popular belief, strippers and sex workers actually are real people with lives and emotions. Most of the time, they're just working in those fields as a quick way to make ends meet, and they shouldn't be shamed for that. Alex's actions in that scene were very much slut-shaming, and I didn't like that at all. 

At the end of the day, I'd give Flashdance a 4/10. It was pretty underwhelming and I struggled to really find many interesting things to say about it. I’m not sure what movie next week’s post will be about, but I just hope it’s more interesting than this.

Stellar


Saturday, September 5, 2020

MOVIE TALK: Black Panther

Every so often, there's an event so major that even fifty years forward, people will be able to recall exactly where they were and what they were doing when they found out about it. Some immediate examples would be 9/11 and John F. Kennedy's assassination. 2020 is such a terrible year that we've had multiple events like this: George Floyd's murder and the protests, everything getting shut down due to COVID, and Kobe and Gianna Bryant's deaths. On Friday, August 28, we experienced another one of those events when Black Panther star Chadwick Boseman's passing was announced, at the far too young age of 43. 


I was reading texts, minding my own business when around 9:30 that night, my best friend messaged me on Twitter, "oh my god." I didn't immediately see what the text was about, but I got a sinking feeling from her all lowercase "oh my god" that it was a shocking and serious matter. I opened Twitter to see a moment stating "Black Panther actor Chadwick Boseman dies aged 43." 

I didn't cry. I didn't feel much of anything at first. It just shook me to my core. It was a lot like Kobe's death, where I just didn't know how to react. I mean, Boseman was most famous for playing Black Panther, a hero, the king of Wakanda. We often think of superheroes as invincible gods, and that extends to the actors who play them. We see them as kings, and if they die, it'll be because they bravely sacrificed themselves to save the world. They would never die from something as mundane as cancer.

Boseman was diagnosed with stage III colon cancer in 2016, and over four years, it progressed to stage IV. However, he managed to keep it under wraps until the end of his life. That's impressive in its own right; celebrities struggle to keep things private, and the fact that Boseman was able to keep such a major secret from the gossip train is unbelievable. 

But the most unbelievable thing is that the entire time Black Panther appeared in the Marvel Cinematic Universe and doing those physically demanding action scenes, Boseman was fighting his own serious battles. I don't think anyone would have faulted him for going to the heads at Marvel and saying, "Hey, I have cancer, can you please hire a new actor to play T'Challa?" But he didn't. He knew that Black Panther, both the character and the film, would mean so much to people, particularly Black people. He was willing to put his own personal battle aside in order to play such an important, meaningful character. In fact, his family wrote in the statement announcing his death that "It was the honor of his career to bring King T’Challa to life in Black Panther.” That is one of the most nobly courageous things I have ever heard- it is a level of bravery I will never know. 

Boseman had a diverse career, playing Black icons like James Brown in 2014's Get On Up, Jackie Robinson in 2013's 42, and Thurgood Marshall in 2017's Marshall. However, the role he will undoubtedly be most remembered for is King T'Challa, or Black Panther, in the 2018 movie of the same name. As such, I thought it was appropriate to pay tribute to Boseman's accomplishments and legacy by looking at Black Panther and talking about how it transcended pop culture. 

The way I see it, there are three kinds of successful movies. First, there are the movies that are just merely successful. They turn a good profit, maybe hit number one at the box office, but in five years, they won't really be remembered like the movies in the other tiers. A few good examples would be 2015's Focus and San Andreas. Both of these movies hit number one at the box office, but I rarely hear people talk about them, five years later. Then, there are the phenomenons. These movies do get the people talking, and they're the ones we'll remember five, ten, twenty years from now. This is the tier for Star Wars, Frozen, and the MCU- most of them. Finally, we have the movies that genuinely made the world a better place. This actually has little to do with financial success; they can either be a box-office smash, a complete failure, or anything in between. However, they went above and beyond in changing the lives of so many people. These movies weren't just successful- they were important. A hundred years from now, they will go down in history as important cultural milestones.

I said that most MCU movies belong in the second tier, as they are incredibly successful. MCU movies frequently cross the billion-dollar mark at the box office, the stars are some of the most famous people in Hollywood, and the fandom is massive. But Black Panther is one of the few movies that belongs in that esteemed third tier. It was incredibly successful financially. It grossed a worldwide total of $1.347 billion dollars, making it the ninth highest-grossing film of all time, the third highest-grossing superhero film and the highest-grossing solo superhero film, and the highest-grossing film by a Black director (Ryan Coogler). However, its financial accomplishments do not compare to its cultural impact.

You don't need me to tell you that the Marvel Cinematic Universe -scratch that, most of Western cinema as a whole- is very white. There are usually token characters, characters of a specific minority who don't usually serve much of a purpose other than making the story seem more diverse. But it's very rare for people of color to see positive portrayals in film. A lot of Black films either focus on the hardships Black people face, such as slavery, or the character's race is completely irrelevant to the plot- the character is played by a Black actor, but they could easily be replaced by a white, Asian, or Hispanic actor and the story wouldn't change. 

Black Panther does neither of those things, and that is precisely why it's so important. Ever since the film came out in 2018, we've seen Black people talk about how much this movie meant to them. It's exactly like I said about Into the Spider-Verse: "Of course, I myself am not black, but I think representation is absolutely necessary. I think it's very powerful for people of all ethnic backgrounds to be able to see themselves in a positive light in the media. White people are not the only ones with stories to tell, dammit!" Black Panther is technically a superhero movie, but more than that, it is an unabashed celebration of Black culture. 

The film is set in the fictional country of Wakanda, which is the most developed, technologically advanced country in the world. A meteorite made of the fictional metal vibranium, hit Wakanda centuries ago. Vibranium is an incredibly rare and powerful metal with a seemingly-unlimited amount of uses, from building Captain America's shield to powering Black Panther's suit to even healing human life. The vibranium powers all of the technological advancements made by Wakanda. And yet, despite its futuristic technology, Wakanda is highly rooted in tradition. All of the Wakandans speak Xhosa, a South-East African language, throughout the film, and the Jabari tribe speaks a dialect similar to Igbo, a language from Nigeria. They have ceremonies to crown the King/Black Panther, and the characters wear traditional African clothing and hairstyles. Although Wakanda is fictional, so many elements of its culture are real, and you can tell that the entire team behind Black Panther took special care to present African cultures in such a respectful way.

Chadwick Boseman knew what the film would mean and took great care in making T'Challa a truly good role model for Black people. One story that's been going around in the days since his passing is how he fought the Marvel executives specifically for T'Challa to have an African accent. Speaking to The Hollywood Reporter in 2018, he said, 

"They felt that it was maybe too much for an audience to take. I felt the exact opposite — like, if I speak with a British accent, what's gonna happen when I go home? It felt to me like a deal-breaker. I was like, 'No, this is such an important factor that if we lose this right now, what else are we gonna throw away for the sake of making people feel comfortable?'" 

Watching Boseman play T'Challa, you can really feel what his family said in the statement, that it was the honor of his career to play the character. He told Hunger that he prayed for the role and wrote about wanting it in his journals. Although everything about the movie is fantastic, Boseman's role as T'Challa really is the heart of it. He is brave, noble, and determined to do anything to keep his people safe. Boseman really was the perfect person to play the superhero, not in the least because he was as close as we'll get to a superhero in real life. The best superheroes are the ones who balance heroic kick-butt deeds with heart and emotion, and Boseman succeeded on both accounts. The action scenes were incredibly well-choreographed and performed, made even more impressive by the fact that Boseman wasn't at peak health when filming them. Yet, it's T'Challa's little moments that stood out to me more than any battle. From his playful banter with his sister Shuri to his romantic moments with Nakia to the scene where he shows Killmonger the sunset, the best aspects of Boseman's performance were his one-on-one moments with the other characters. You can see how the bond between the actors went beyond their characters' relationships, that they all loved and respected each other on a true level. Many of Boseman's Black Panther costars, including Angela BassettDanai GuriraLetitia Wright, and Michael B. Jordan, as well as the film's director Ryan Coogler, released tributes to the media in the wake of Boseman's passing. Reading the tributes, it's clear that the bond really did transcend the film; he wasn't just a costar to these people, he was a friend. 

The conflict of the film is that Wakanda is one of the most powerful countries in the world, but they pretend to be a poor country and stay in their own little world in order to protect their resources. That brings us to the villain of the film, Erik Stevens, better known as Killmonger. He grew up in inner-city Oakland, and has seen some terrible things happen to Black people on the streets. He is angry that Wakanda is such a powerful country full of Black people, and yet they do nothing to help people just like them in other parts of the world. Killmonger is the kind of villain I find most compelling; a villain whose motivations are actually completely reasonable, but who goes about those ideals in terrifying ways. He has hundreds of scars on his chest, each one representing a body he has taken. Michael B. Jordan does a fantastic job in the role, capturing both the hateful anger and the compelling motivations of the character perfectly. You completely buy him as this radical terrorist, despite Jordan actually being a pretty down-to-earth, funny guy. He even said in his MTV Movie Awards speech for Best Villain that, "I’m shocked that I won this award for Best Villain. I thought for sure Roseanne had that in the bag.” (That was after the whole thing where Roseanne Barr was incredibly racist and tweeted that President Obama's former adviser Valerie Jarrett an ape, so I thought his remark was pretty hilarious.)

Black Panther is a who's-who of talented Black actors, featuring some well-known names and bringing others to the A-list. The ensemble cast featured many fierce Black women, each with a different personality and role. Women as a whole are a minority in Hollywood, as they often exist to serve men in films and TV series. That's even more true for Black women, who are often forced to play the "sassy angry best friend" trope. Black Panther completely subverts this trope, featuring multiple strong Black female characters. Danai Gurira played Okoye, the proud, serious leader of the Dora Milaje, an all-female team of warriors who serve as T'Challa's bodyguards. Oscar winner Lupita Nyong'o was Nakia, who is T'Challa's love interest, but isn't one-dimensional at all, serving as an undercover spy who fights for women's freedom. Angela Bassett played the regal Queen Ramonda, T'Challa and Shuri's mother who is matronly yet strong and all-around very regal. However, my personal favorite character was Shuri, T'Challa's 16-year-old sister played by Leticia Wright. Wright brought a youthful energy (and some Vine references) to the film, and I really did love Shuri's playful banter with her brother. She was also in charge of all the technology in the world, which I thought was amazing. The smartest person in the world is a 16-year-old Black girl? That's so inspiring. I also have to mention how none of the female characters have traditionally Western hairstyles. Shuri and Ramonda wear dreadlocks, Nakia wears her hair in a traditional style called Bantu knots, and Okoye has a shaved head with distinctive tattoos. This is noteworthy because there are so many instances where Black women are told that they must straighten their hair and abide to a Western style because traditionally Black hairstyles, such as dreadlocks, cornrows, and Afros, are "unattractive." It's so important for Black girls of all ages to see these intelligent, courageous, and beautiful role models to let them know that they don't have to abide to Western standards to be seen as beautiful and be taken seriously.

With the exception of Martin Freeman as CIA agent Everett K. Ross and Andy Serkis as Ulysses Klaue, every member of the main cast of this movie is Black. Daniel Kaluuya of Get Out fame was W'Kabi, T'Challa's best friend, Winston Duke, who would later go on to star in Us with Lupita Nyong'o, played the ruthless warrior M'Baku, and Forest Whitaker played Zuri, an elder statesman and spiritual guide of Wakanda. Every single actor in this movie does an admirable job acting, and like I was saying with Boseman, you can tell that they all knew how significant the movie would be and took great care to bring the world of Wakanda to life.

The actors of the film won the Screen Actors Guild award for Best Cast in a Motion Picture in 2019, which was highly deserved. 

Before I discuss the film's legacy and importance, I want to talk about a few other things that particularly stood out to me about
Black Panther, namely the visuals. This is a gorgeous movie to look at. The world of Wakanda is particularly beautiful, especially the scenes where T'Challa speaks with his father. Those purple skies are simply breathtaking. 

(Plus, I learned that the company that did the visual effects for Black Panther, Industrial Light & Magic, also did the effects for The Last Airbender movie. The difference in quality between the two films' visuals is astounding.)


 I also loved the high-energy action scenes in Busan, South Korea. I'm a huge fan of the "big city lit up at night" aesthetic, and Busan was the perfect backdrop for an incredible car chase. I also loved the music of the film. The score, which won an Oscar, was by 
Ludwig Göransson, and featured a lot of African tribal motifs. The film's soundtrack was curated by rapper Kendrick Lamar, and it matches the film perfectly. It features popular R&B and hip hop artists, like Lamar, Travis Scott, and The Weeknd, as well as African artists like Babes Wodumo and Sjava. I love how a lot of the songs mesh a traditional African style with a more futuristic hip hop atmosphere to perfectly reflect Wakanda. A lot of the songs are also really good on their own merits, with "All the Stars" by Kendrick Lamar and SZA being one of my personal favorites. 

Black Panther is a great movie, a film that I'd probably give a 9/10 to on its own merits. However, due to its impact and importance, I have to give it a 10/10. After Boseman's passing, fans took to Twitter to honor his dedication to playing famous Black heroes, as well as his dedication to his craft in spite of his own health struggles. The Atlantic writer Clint Smith tweeted:

I keep thinking about my 3-year-old in his Black Panther costume. How he wore it almost every day when he got it, refused to take it off. The way he walked around saying “I’m the Black Panther.” How happy it made him. What Chadwick gave us was immeasurable. What an enormous loss.

MSNBC contributor Brittany Packnett tweeted what we were all thinking after he passed. 

Chadwick really suffered through all of that for *us.* Think of all the stories he helped tell. All the people he helped find hope. All the Black children for whom he could be a powerful reflection? Despite his own terminal pain. I am astonished by the weight of that sacrifice

Author Tracy Deonn took to Twitter to honor what Black Panther meant to older Black audiences:

Right now I'm thinking about my 72 year-old father who'd never seen an MCU movie, but let me take him to Black Panther. How he lived through Jim Crow. How he said, at the end of the movie: "I never thought they'd put us onscreen like that." That's the impact of this body of work.

But I think Vice writer Brian Josephs said it best:

Chadwick Boseman is a big reason why our kids don't have to wonder about what a Black superhero is.

However, the impact of this film was obvious long before Boseman's untimely passing. Around the time Black Panther came out, The Tonight Show with Jimmy Fallon did a bit where they invited fans to speak about what Black Panther meant to them. One fan said 

"I cannot tell you how much it means to have you step into the role as our King and be holding it with such grace and poise and joy."

 Another fan said,

 "It means a lot to see a movie that's not, like, a 'Black' movie, but it's just a great American superhero movie with people who look like me." 

After the fans recorded their thank-yous, talking to a poster of T'Challa, Boseman surprised them and gave them hugs. I think this bit is really indicative of the kind of person Boseman was; humble, gracious, respectable, and with a good sense of humor. 

Another clip that has gone viral since Boseman's passing is the SiriusXM interview where he tells of two little boys with terminal cancer, named Ian and Taylor, who looked up to him and were eagerly awaiting the movie. He said the parents told him that the boys were "trying to hold on till this movie comes," and said that that gave him motivation to wake up every day and film the movie. 

"To a certain degree, you hear them say that and you're like, 'Wow. I gotta get up and go to the gym. I gotta get up and go to work. I gotta learn these lines. I gotta work on this accent...I think back now to a kid, and just you know, waiting for Christmas to come, waiting for my birthday to come, waiting for a toy that I was going to get a chance to experience, or a video game. I did live life waiting for those moments. And so, it put me back in the mind of being a kid just to experience those two little boys anticipation of this movie."

The clip has mostly gone viral due to the moment where Boseman visibly gets emotional when talking about the boys' passing. He couldn't even say the word "died" or "passed."  Nobody knew this at the time, but he was getting emotional not just because they were his fans, but because he saw himself in them. He knew that he could meet the same fate as them at any time. However, he continued to act and inspire people until the end of his days. I really can't undersell just how brave Chadwick Boseman was, and I hope that somewhere in the afterlife, he's reunited with Ian and Taylor and giving them piggyback rides. 

To wrap this up, I'm just going to say that Black Panther is a rare 10/10 movie. Just as a film, it's one of the best superhero movies in history, but the impact it had on the world is truly exceptional. Rest in Power and Peace to Chadwick Boseman, and Wakanda forever. 

This art was by Ryan Meinerding, Head of Visual Development at Marvel Studios. It's gorgeous.


Stellar